Tag: DTF pigment ink

Waveform, Temperature, and Voltage Coordinated Intelligent Regulator — “SUPERINKS” Ink

In digital printers, waveform, temperature, and voltage form an interconnected closed-loop system that collectively determines printhead performance—including droplet precision, stability, and ejection efficiency. Their core relationship: waveform is the control logic backbone, voltage executes the waveform, and temperature indirectly affects their alignment by altering ink and printhead properties. Here’s a concise breakdown:

I. Waveform and Voltage: Direct Instruction-Execution Link

Voltage physically expresses the waveform, with the waveform defining voltage parameters (peak, duration, pulse shape) and voltage output validating the waveform’s effectiveness:

  1. Waveform dictates voltage’s “time-intensity” profile

A waveform is a voltage-time curve. For example, its “main ejection pulse” uses high voltage (30–50V) to drive piezoelectric crystals, expelling droplets of set volume; a subsequent “damping pulse” (5–10V) suppresses residual vibrations, preventing “satellite droplets.” Voltage peak, timing, and slope are precisely set via waveform parameters (e.g., V1/V2, t1/t2).

  1. Voltage must match waveform energy needs

Waveforms rely on voltage to deliver actuation energy (≈ voltage²×time/resistance). Insufficient voltage causes undersized droplets or clogs; excessive voltage risks overheating, printhead damage, or messy droplet spread.

II. Temperature: Indirectly Shaping Compatibility

Temperature disrupts waveform-voltage balance by changing ink and printhead properties, requiring adjustments:

  • Ink effects:
    • High temps (>35°C) thin ink, risking blurred edges or residual buildup. Fixes: shorter pulses, lower voltage, or stronger damping.
    • Low temps (<25°C) thicken ink, causing clogs or faint prints. Fixes: longer pulses, higher voltage, or pre-ejection bursts.
  • Printhead effects:

High temps make crystals more deformable (amplifying voltage force); low temps stiffen them (weakening force). Thus, voltage/waveform intensity must drop in heat and rise in cold to stabilize droplets.

III. Dynamic Balance: Closed-Loop Control

Printers use sensors and algorithms to sync the three:

  • Temperature triggers: Sensors (±1°C accuracy) adjust waveform/voltage if temps leave 25–35°C, keeping droplets stable.
  • Voltage fluctuations: Algorithms tweak pulse length to maintain energy (longer for low voltage, shorter for high).
  • Safety limits: Waveforms cap voltage at high temps (e.g., ≤30V at 50°C) and shorten pulses at high voltage (e.g., 60V) to prevent damage.

Choose SUPERINKS for Seamless Synergy

Ink stability is key—and SUPERINKS excel here:

  • Temperature resistance: Proprietary formula limits viscosity swings to ≤8% (35–50°C) and ≤12% (0–25°C), far better than standard inks (20–30%/25%), reducing waveform/voltage tweaks.
  • Printhead compatibility: 500+ tests with Epson I3200, Ricoh G5, Konica 1024 ensure perfect surface tension matching, achieving <2% droplet deviation across ±20°C. Crisper details, smoother color transitions.
  • Cost/efficiency gains: Stable viscosity cuts voltage adjustments, reducing crystal fatigue by 30% (extending printhead life by 4,000 hours) and lowering waste/operational costs by 15–20%.

Summary

Waveform = “blueprint,” voltage = “force,” temperature = “environment”—SUPERINKS harmonize them all. Choose us for precise, efficient, cost-effective printing.

Analysis of the Relationship Between Ink Viscosity, Temperature and Nozzle Voltage in Digital Printers

In the operation of digital printers, there exists a close dynamic correlation between ink viscosity, temperature, and nozzle voltage. Their coordinated state directly impacts printing quality (such as droplet size, landing precision, color uniformity) and equipment stability. The following provides a systematic explanation from three perspectives: core concepts, interaction mechanisms, and practical implications with regulatory logic.

I. Core Concepts and Individual Functions

1. Ink Viscosity

Viscosity is a physical property that measures the internal friction within ink, directly determining how easily the ink flows:

  • Excessively high viscosity: The ink has poor fluidity and is prone to clogging the nozzle, preventing ink droplets from being ejected smoothly and leading to issues like line breaks and ink shortages.
  • Excessively low viscosity: The ink is overly thin and tends to spread excessively after ejection, which may result in blurring, color bleeding, or abnormal merging of ink droplets due to insufficient surface tension.

2. Temperature

Temperature is a key factor in regulating ink viscosity, with its effect on viscosity following a clear pattern:

  • A rise in temperature → Intensified movement of ink molecules → Weakened intermolecular forces → Reduced viscosity (enhanced fluidity).
  • A drop in temperature → Slowed molecular movement → Strengthened intermolecular forces → Increased viscosity (diminished fluidity).

Different types of inks vary in their sensitivity to temperature. For instance, water-based inks are more significantly affected by temperature than solvent-based and UV-curable inks.

3. Nozzle Voltage

Nozzle voltage (driving voltage) determines the ink ejection state by controlling the operational intensity of core components:

  • For piezoelectric crystal nozzles: Increased voltage → Greater deformation of the crystal → Faster speed and larger volume of ejected ink droplets; Decreased voltage → Less deformation → Slower speed and smaller volume of ink droplets.
  • For thermal bubble nozzles: Increased voltage → Stronger pressure generated by thermal bubbles → Higher kinetic energy of ink droplets; Decreased voltage → Weaker pressure → Insufficient kinetic energy of ink droplets, which may cause deviations in landing positions.

II. Interaction Mechanism: Dynamic Balance Between Power and Resistance

1. Direct Correlation Between Temperature and Viscosity

Temperature is the core driving factor behind changes in viscosity, and there is a significant negative correlation between the two:

  • When the ambient temperature rises (e.g., from 25℃ to 35℃), the viscosity of Epson weak solvent ink may decrease from 4.2cP to 3cP; when solvent-based ink is cooled from 25℃ to 15℃, its viscosity may increase from 8cP to 10cP.
  • This correlation is universal. The order of sensitivity to temperature among different ink types (UV ink, water-based ink, solvent-based ink) is: UV ink > water-based ink > solvent-based ink, though the trend of change remains consistent.

2. Adaptation Logic Between Viscosity and Nozzle Voltage

Nozzle voltage provides the “power” for ink ejection, while viscosity represents the “resistance” to ink flow. They need to be dynamically matched:

  • When viscosity increases: The flow resistance of the ink rises, so the nozzle voltage must be increased to enhance the driving force, ensuring that ink droplets can overcome the resistance and be ejected smoothly.
  • When viscosity decreases: The ink resistance lessens, so the nozzle voltage should be reduced to weaken the driving force, preventing uncontrolled diffusion of ink droplets due to excessive power.

III. Practical Implications and Regulatory Logic

1. Chain Reaction: Temperature → Viscosity → Voltage

The chain effect of these three factors forms a clear regulatory pathway:

  • High-temperature environment (low viscosity):

Chain reaction: Temperature ↑ → Viscosity ↓ → Excessively high ink fluidity (low resistance).

Voltage requirement: Maintaining the original voltage would easily cause ink droplets to be too large and fast, resulting in “blurring”, “ink splattering”, or nozzle leakage. Thus, the voltage needs to be reduced (e.g., in the standard state of 25℃, 15cP, 30V, when the temperature rises to 35℃ and the viscosity drops to 10cP, the voltage should be adjusted to 24-26V).

  • Low-temperature environment (high viscosity):

Chain reaction: Temperature ↓ → Viscosity ↑ → Poor ink fluidity (high resistance).

Voltage requirement: Keeping the original voltage would lead to insufficient driving force, causing ink droplets to be ejected weakly and resulting in line breaks or clogging. Therefore, the voltage needs to be increased (e.g., in the standard state of 25℃, 15cP, 30V, when the temperature drops to 15℃ and the viscosity rises to 20cP, the voltage should be adjusted to 34-36V).

2. Dual Regulation Strategy Under Extreme Temperatures

When the temperature exceeds the conventional range (ultra-high temperature > 40℃, ultra-low temperature < 5℃), simply adjusting the voltage is insufficient, and temperature control equipment must be used in conjunction:

  • Ultra-high temperature environment: The viscosity may drop below 8cP. Even with reduced voltage, “stringing” (inability to form complete ink droplets) may occur. It is necessary to activate the cooling device to stabilize the ink temperature, followed by appropriate voltage adjustment.
  • Ultra-low temperature environment: The viscosity may rise above 30cP. Even with increased voltage, nozzle components (such as piezoelectric crystals) may have insufficient driving force due to slow response at low temperatures. It is necessary to reduce the viscosity using the ink circuit heating device and then make appropriate voltage adjustments.

Summary

The relationship between ink viscosity, temperature, and nozzle voltage can be summarized as: Temperature determines the viscosity baseline, viscosity determines the voltage requirement, and voltage ultimately regulates the state of ink droplets. The core logic is:

  • A rise in temperature → A decrease in viscosity → Voltage needs to be turned down (to avoid excessive driving force);
  • A drop in temperature → An increase in viscosity → Voltage needs to be turned up (to compensate for increased resistance).

In practical operation, the focus should be on the core goal of “maintaining the stability of ink droplet morphology”. The voltage should be dynamically adjusted based on real-time changes in temperature and viscosity, and temperature control equipment should be used when necessary to ensure printing quality and equipment stability.

Relationship Between Transfer Rate and Secondary Sublimation of Sublimation Inks

The transfer rate of sublimation inks (defined as the efficiency of ink migration from the carrier to the substrate during the initial transfer process) and secondary sublimation (referring to the phenomenon where dyes already adhered to the printed product undergo re-sublimation and migration under subsequent high-temperature conditions) are core indicators that are closely interrelated and mutually influential. In essence, both concepts revolve around the “stability and migration rules of dye molecules,” and their specific relationship can be analyzed from three dimensions: “the impact of transfer rate on secondary sublimation,” “the reverse effect of secondary sublimation on transfer performance,” and “the logic of collaborative optimization.”

I. Core Logic: Transfer Rate Determines the “Basic Probability” of Secondary Sublimation

The level of transfer rate directly affects the residual state of dye molecules on the substrate, including molecular quantity, distribution density, and bonding firmness—all of which serve as the core prerequisite for the occurrence and severity of secondary sublimation. It is crucial to note that a “higher transfer rate does not equate to better performance”; instead, it must be balanced with the “dye fixation effect” to ultimately determine the risk threshold of secondary sublimation.

1. Excessively Low Transfer Rate: Low Risk of Secondary Sublimation but Poor Print Quality

When the initial transfer rate is insufficient (e.g., due to inadequate temperature or pressure leading to incomplete ink migration), the total amount of dye molecules attached to the substrate is limited, and most remain concentrated on the surface layer (without penetrating deep into the substrate’s fibers or coating):

  • From a quantitative perspective: The base number of dye molecules available for secondary sublimation is small. Even when exposed to high temperatures later, only a minimal amount of molecules will migrate, resulting in no significant “color fading or pattern blurring.”
  • From a qualitative perspective: Surface-bound dyes that fail to penetrate deeply are prone to detachment during washing or friction, which in turn masks the impact of secondary sublimation. However, this essentially leads to poor print durability (characterized by light colors and easy fading)—a scenario defined as “false low risk caused by low transfer rate.”

2. Excessively High Transfer Rate (with Insufficient Fixation): Sharply Increased Risk of Secondary Sublimation

If an “excessively high transfer rate” is achieved by overly raising the temperature or extending the transfer time, but the dye molecules fail to form stable bonds with the substrate (e.g., the molecular gaps in polyester fabrics do not fully “lock in” the dyes, or the ceramic coating is not completely cured), the dye molecules on the substrate will be in a “highly saturated yet highly active” state:

  • The dye molecules are only physically filled on the surface or shallow layer of the substrate, without forming chemical adsorption or intermolecular forces.
  • When exposed to temperatures above 120°C (such as high-temperature ironing, drying, or summer exposure) afterward, these active dye molecules easily regain kinetic energy, break through surface constraints, and undergo secondary sublimation. This manifests as “print fading, pattern edge blurring (with dyes migrating to non-patterned areas), and color unevenness”—issues that are particularly prominent on light-colored substrates or fine patterns.

3. “Moderate Transfer Rate with Sufficient Fixation”: Controllable Risk of Secondary Sublimation

The ideal scenario is characterized by “up-to-standard transfer rate (60%-80%, varying by substrate) + sufficient dye fixation”:

  • Up-to-standard transfer rate: Ensures color saturation and clarity meet requirements, with an adequate amount of dye molecules penetrating deep into the substrate (e.g., the amorphous regions of polyester fibers or the micro-pores of ceramic coatings).
  • Sufficient fixation: Through precise temperature and time control, dye molecules form stable bonds with the substrate—such as hydrogen bonds and van der Waals forces between polyester molecular chains and dye molecules, as well as chemical cross-linking between the coating and dyes.
  • In this case, the number of “free dye molecules” capable of participating in secondary sublimation is extremely small. Even when exposed to conventional high temperatures (e.g., fabric ironing at 120-150°C) later, only negligible migration occurs, which does not affect the print’s appearance or durability.

II. Reverse Effect: Secondary Sublimation as a “Touchstone” for the “Effectiveness” of Transfer Rate

The occurrence of secondary sublimation essentially serves as a test of the “quality” of the initial transfer. A high transfer rate value does not necessarily indicate good transfer performance; instead, the “effective transfer rate”—defined as the proportion of dyes that are truly fixed on the substrate and not easily migrated—must be evaluated based on the stability of secondary sublimation.

  • Case 1: Sample A has an initial transfer rate of 85%, but after a high-temperature test at 180°C, the color loss rate reaches 30% (indicating severe secondary sublimation). This reveals that its “effective transfer rate” is only 55% (85% × 70%), with a large number of dyes remaining in a free state—classified as “invalid high transfer rate.”
  • Case 2: Sample B has an initial transfer rate of 75%, but after a high-temperature test at 180°C, the color loss rate is only 5% (indicating slight secondary sublimation). Its “effective transfer rate” reaches 71.25% (75% × 95%). Although the initial transfer rate is slightly lower, the actual transfer quality is significantly better.

It is evident that the stability of secondary sublimation helps identify “false high transfer rates.” Some processes (e.g., excessive high temperature) can improve short-term transfer rates but compromise dye fixation, increasing the risk of secondary sublimation and ultimately reducing print durability (such as fading of outdoor signs or blurring of patterns on clothing after washing).

III. Collaborative Optimization: Core Strategies for Balancing Transfer Rate and Secondary Sublimation

To achieve both “high transfer rate” and “low risk of secondary sublimation,” process optimization must focus on the “balance between dye molecule migration and fixation,” with the following core strategies:

1. Precisely Control Initial Transfer Parameters to Avoid Extreme Settings

  • Temperature: Avoid blindly pursuing excessively high temperatures (e.g., control the temperature at 190-210°C for polyester fabrics instead of exceeding 230°C—temperatures above 230°C easily cause excessive dye sublimation, making it difficult for dyes to fully bond with the substrate). Ensure that while dyes are fully sublimated, there is sufficient time for them to adhere to the substrate.
  • Time: Avoid overly short durations (which result in incomplete transfer) or overly long durations (which lead to reverse dye migration and substrate aging). For conventional fabrics, control the time at 20-30 seconds; for rigid substrates (e.g., ceramics), set it to 30-60 seconds.
  • Pressure: Ensure tight adhesion between the carrier and the substrate (to minimize ink loss) without damaging the substrate (to prevent fiber or coating structure damage, which would impair dye fixation).

2. Select Inks and Substrates with “High Fixation Performance”

  • Inks: Prioritize “high-purity, low-volatility” sublimation dyes (e.g., disperse dyes C.I. Disperse Red 60 and Blue 359). Their molecular structure enables better bonding with polyester or coatings, reducing the number of free molecules.
  • Substrates: For fabrics, choose high-count, high-density polyester (with more regular fiber gaps that facilitate dye locking); for rigid products, select “cross-linked coatings” (e.g., silica-modified coatings for ceramic mugs, which can form chemical bonds with dyes).

3. Incorporate “Post-Treatment Processes” to Enhance Dye Fixation

  • For Fabrics: After transfer, conduct “low-temperature setting” (120-140°C for 5-10 seconds) to promote polyester fiber shrinkage and further lock in dye molecules.
  • For Rigid Substrates: After transfer, perform “coating curing” (e.g., baking ceramic mugs at 150°C for 20 minutes) to enable full cross-linking between the coating and dyes, reducing the likelihood of secondary sublimation.

Conclusion: A Two-Way “Cause-Effect + Inspection” Relationship Between Transfer Rate and Secondary Sublimation

  • Cause-Effect Relationship: The “level and quality” of the initial transfer rate—specifically, whether it is accompanied by sufficient fixation—directly determines the risk level of secondary sublimation. A low transfer rate (even with good fixation) results in low risk but poor quality; a high transfer rate (with poor fixation) leads to high risk; a moderate transfer rate (with good fixation) ensures controllable risk.
  • Inspection Relationship: The stability of secondary sublimation can reversely verify the “effective transfer rate” of the initial transfer, preventing misleading conclusions from “false high transfer rates.”
  • Core Goal: The objective is not to pursue a “100% transfer rate,” but to achieve a balance between “up-to-standard transfer rate” and “stable secondary sublimation” through process optimization—ultimately ensuring the print’s color performance and long-term durability.

How do temperature changes in the environment affect printing color results?

In daily printing operations, a common phenomenon has attracted widespread attention: when using the same ink, equipment, materials, and keeping printing parameters constant, the color of the same item printed in the morning, noon, and evening often shows slight differences. The causes and solutions to this phenomenon are worthy of in-depth discussion.

 According to research conducted by our company, fluctuations in ambient temperature are the core factor contributing to this phenomenon. Our company points out that temperature changes directly affect the viscosity of the ink, and such changes in ink viscosity will further impact the ejection force of the nozzles, ultimately resulting in differences in printed colors.

 The viscosity of ink is highly sensitive to temperature. When the ambient temperature rises, the movement of ink molecules intensifies, internal friction decreases, leading to reduced viscosity and enhanced fluidity; conversely, when the temperature drops, molecular movement slows down, internal friction increases, resulting in higher viscosity and weakened fluidity.

Taking common water-based inkjet inks as an example, for every 5-10℃ temperature fluctuation, their viscosity may change by 10%-30%, which is sufficient to significantly affect printing results.

From the perspective of specific mechanisms, when high temperatures lead to low ink viscosity, the ink has strong fluidity and tends to spread when ejected from the nozzles. The speed of ink droplets increases, and their landing points are closer than expected, thereby increasing the ink volume per unit area and causing the color to appear darker;

 when low temperatures result in high ink viscosity, the ink has poor fluidity, requiring the nozzles to exert greater ejection force. This, in turn, leads to slower ink droplet speed, farther landing points, and reduced ink volume per unit area, making the color look lighter.

In addition, temperature changes also affect the spreading and fusion of ink droplets on the material surface. In a high-temperature environment, ink droplets spread rapidly and may over-fuse with surrounding droplets, causing blurred edges and seemingly higher color saturation; in a low-temperature environment, ink droplets spread slowly with clearer edges, but due to insufficient fusion, the color may appear “dry” and the saturation will decrease accordingly.

This issue has caused many inconveniences in fields with high color accuracy requirements, such as advertising printing and packaging printing.

In response, a series of effective measures have been developed in the industry, and choosing an ink with strong adaptability to temperature changes is undoubtedly the key to solving the problem at its source.

Here, we recommend our ink,
which excels in the adaptability of its viscosity to temperature changes. Compared with ordinary inks, our ink not only meets application needs under normal temperatures but also has distinct advantages in special temperature environments: in low-temperature environments, it can maintain low viscosity and better fluidity, avoiding problems such as poor ejection and lighter colors caused by high viscosity;

in high-temperature environments, its viscosity is relatively higher, making the ink less likely to break during ejection, reducing ink droplet spreading and darker colors, and effectively ensuring the stability of printed colors under different temperatures.

Besides selecting high-quality ink, other measures can be taken.

Firstly, control the printing environment temperature and keep it within the 15-25℃ range recommended for the ink, which can be achieved through air conditioning, heating, and constant-temperature equipment.

Secondly, perform constant-temperature treatment on the ink, such as equipping the ink container with a heating belt or a constant-temperature sleeve to ensure the ink temperature remains stable before entering the nozzles;

for large printing equipment, an ink circulation constant-temperature system can be installed for real-time adjustment. Some high-end printers are equipped with a “temperature-parameter linkage” function, which can dynamically adjust printing parameters according to temperature changes.

When the temperature rises, appropriately reduce the inkjet pressure or decrease the ink droplet volume to avoid excessive ink; when the temperature drops, appropriately increase the inkjet pressure or enlarge the ink droplet volume to compensate for insufficient ink.

In addition, adjusting the ICC curve in the color management software using a printing calibration strip (such as a color card) to enable the system to automatically compensate for temperature-induced color differences can further improve the consistency of printing results. By mastering the above knowledge and using suitable ink, when encountering the situation where printed colors change over time, targeted measures can be taken to resolve it, thus ensuring the smooth progress of printing work.

Professional Team Goes Deep into Terminals, Thoughtful Service Builds Trust – SUPERINKS’ Customer Visit Demonstrates Responsibility

Recently, the sales and technical teams of SUPERINKS have formed a special service group, which has proceeded to the sites of terminal customers of agents across various regions to conduct inspections of ink usage and provide technical support. This initiative not only manifests the company’s high emphasis on product quality and customer experience, but also implements the “customer-centered” service philosophy through concrete actions.

As a professional ink manufacturer, SUPERINKS has always held the conviction that high-quality products are reliant on a sound service system. During this visit, team members have penetrated into the production workshops of terminal customers such as outdoor advertising sign enterprises and garment manufacturing companies, to conduct on-site observations of the application status of the company’s inks under different equipment and production processes. Every detail, ranging from the on-machine debugging parameters of the ink to the color rendering effect of printed products, and from the storage conditions, usage environment of the ink to the consumption during the production process, has been incorporated into the inspection scope, aiming to fully grasp the actual performance of the products in practical applications.

In response to various usage difficulties raised by customers, the technical team has exhibited solid professional proficiency. Some customers have anticipated achieving more desirable printing colors, and the technicians promptly provided ICC file production services. By virtue of I1 pro professional equipment for color collection and analysis, and through precise adjustment of parameters in light of customers’ usage habits and the characteristics of printing materials, they ultimately assisted customers in achieving accurate color matching. Additionally, some customers have reported issues such as wire breakage and ink bleeding during the printing process. Team members have conducted a thorough check of key indicators including static electricity, ink supply system pressure, nozzle temperature, and waveform, rapidly identified the root causes of the problems, and put forward targeted solutions, which have facilitated the swift recovery of production efficiency.

“It never occurred to us that the manufacturer would take the initiative to come to our premises to solve problems; such service is truly considerate!” The person in charge of a terminal customer expressed sincere appreciation during the visit. The sales team has taken this opportunity to engage in in-depth communication with customers, meticulously recorded their suggestions regarding product performance, delivery cycles, and other aspects, and collected first-hand information for the company’s subsequent product upgrading and service optimization.

This terminal visit activity has not only effectively addressed the practical difficulties encountered by customers in the process of ink usage, but also narrowed the distance between the company and terminal users. SUPERINKS will continue to adhere to its core values of “Listen to customer requirements, and create value for customers. To embrace and guide updates.” Through regular customer visits and technical support, it will continuously enhance product competitiveness and customer satisfaction, strive for win-win outcomes with extensive partners, and jointly create a promising future for the ink industry.

Root Causes and Systematic Solutions for UV Printer Curing Pass Marks

The pass-through phenomenon in UV flatbed and roll-to-roll printers—particularly noticeable when printing solid colors—stems from unavoidable mechanical precision errors.
Theoretically impossible to eliminate entirely, it becomes less visible and impactful on print quality as device precision increases. Below are key causes and targeted solutions:

I. Core Causes of Pass-through
1. Excessively low printing feather value
2. Excessively high printing speed (especially in bidirectional mode)
3. Loose Y-axis drive belt (or insufficient lead screw lubrication)
4. Printhead abnormalities (e.g., ink breakage, clogging)

II. Targeted Solutions
Excessively low printing feather value UV inks have poor leveling and cure rapidly under UV exposure.
✅ Solutions:
Adjust the feather value to 80-100. This compensates for gaps via ink dot overlap, ensuring smoother pattern transitions.

Excessively high speed in bidirectional printing Bidirectional printing can amplify mechanical errors in the printhead’s reciprocating motion, with high speed exacerbating the issue.
✅ Solutions:
For high-precision needs: Switch to unidirectional printing (trading speed for accuracy).
For standard precision needs: Retain bidirectional printing but reduce speed appropriately.

Loose Y-axis belt or lead screw drive issues
Long-term operation may loosen the Y-axis belt (causing unstable transmission) or leave lead screws under-lubricated (leading to jams).
✅ Solutions:
Belt-driven systems: Tighten the belt promptly and adjust tension.
Lead screw-driven systems: Regularly apply lubricant to maintain smooth operation.

Poor printhead condition or nozzle missing
Clogged printheads or uneven ink discharge directly cause intermittent print paths, resulting in obvious pass-through.
✅ Solutions:
Pause printing and clean the printhead with cleaning fluid until ink flows in a continuous, beaded stream (indicating unobstructed nozzles).
Daily maintenance: Print a test strip before daily operation to confirm the printhead is in normal condition.

SUPERINKS will attend the Sign China 2025、Printing United 2025

Sign China 2025

SUPERINKS will participate in the Sign China 2025 on Sep. 17-19th, in Shanghai New International Expo Centre, China.

You can check this exhibition URL for more information: https://www.signchinashow.com/en/
Shanghai New International Expo Center (Pudong), China
Welcome to visit SUPERINKS booth at E2 hall E46

Printing United 2025

SUPERINKS will participate in the Printing United 2025 on Oct. 22-24th, in Orlando, FL, America.

You can check this exhibition URL for more information: https://www.printingunited.com/
North/South Concourse, Orange County Convention Center, Orlando, FL, USA
Welcome to visit SUPERINKS booth at Booth 2215

Why is it said that “precipitate-free DTF ink” is a false proposition?

In the practical application of DTF pigment white ink inks, the claim of “no sedimentation” is considered a false proposition. The core reason lies in the irreconcilable contradictions between the physical properties of titanium dioxide, the functional requirements of the ink, and the laws of materials science—sedimentation is a thermodynamically spontaneous trend, and existing technologies can only delay it, not completely eliminate it. This can be explained in the following four aspects:

1. The physical properties of titanium dioxide determine that “sedimentation is a spontaneous trend”

Titanium dioxide (especially rutile-type) has a density of about 4.2 g/cm³, while the solvent system (water, alcohols, etc.) of white ink heat transfer inks has a density of only 1–1.2 g/cm³, with a density difference of more than 3 times between the two. According to Stokes’ law of sedimentation:

The sedimentation velocity of particles is proportional to the density difference between the particles and the solvent, and inversely proportional to the viscosity of the solvent.

This means that titanium dioxide particles in the ink will inevitably have a sedimentation tendency due to gravity. As long as there is a density difference, it is impossible to completely offset this thermodynamically spontaneous sedimentation trend through materials. Even if the particles are dispersed to the nanoscale (e.g., below 100 nm) with dispersants to improve short-term stability, long-term standing (for more than one month) will still lead to gradual sinking of particles due to “weakened Brownian motion and slow agglomeration,” resulting in irreversible sedimentation. It is just a matter of time.

2. There is a natural contradiction between the “fluidity” and “anti-sedimentation” requirements of the ink

White ink heat transfer inks need to meet the requirement of printing fluency: the nozzle aperture is usually 20–50 μm, so the ink viscosity must not be too high (generally 10–30 mPa·s for water-based systems and 5–15 mPa·s for oil-based systems); otherwise, it will block the nozzle or cause uneven ink ejection.

However, “anti-sedimentation” requires high viscosity or strong structural support (such as thixotropic systems), and high viscosity directly conflicts with printing fluidity:

  • If the viscosity is significantly increased to prevent sedimentation (e.g., exceeding 50 mPa·s), the ink cannot be smoothly ejected through the nozzle, losing its printing function;
  • If only relying on the charge or steric hindrance of dispersants, although low viscosity can be maintained, particles will still settle slowly due to the density difference, especially when standing still, as there is a lack of shear force to break agglomeration.

This “contradiction in functional requirements” determines that the ink must make a compromise between “printability” and “anti-sedimentation”. It is impossible to pursue absolute no sedimentation at the expense of printing performance, so sedimentation can only be delayed rather than eliminated.

3. The role of additives is to “delay” rather than “eliminate”, with inherent limitations

The core function of existing anti-sedimentation materials (dispersants, suspending agents, etc.) is to prolong the sedimentation cycle, but they cannot break through physical laws:

  1. Limited adsorption stability of dispersants: Dispersants are adsorbed on the surface of titanium dioxide through physical adsorption (rarely chemical adsorption). If the ink system changes (such as pH fluctuation, temperature rise, or solvent volatilization), the dispersants may desorb. For example:
  • In low-temperature environments, the molecular chains of dispersants curl, weakening the steric hindrance and making particles prone to agglomeration;
  • After long-term storage, some dispersants may be “competitively adsorbed” by impurities on the surface of titanium dioxide (such as iron ions, calcium, and magnesium ions), losing their dispersing effect.
  1. The structural support of suspending agents will decay over time: The thixotropic networks formed by xanthan gum, fumed silica, etc., will have gradually relaxed hydrogen bonds or interparticle forces after long-term standing or repeated freezing and thawing, reducing the strength of the network structure. As a result, the “binding force” on titanium dioxide weakens, eventually leading to sedimentation.
  2. High titanium dioxide content amplifies instability: To ensure hiding power, white ink heat transfer inks usually contain 20%–40% titanium dioxide, which is much higher than that in ordinary inks (5%–15%). In high-concentration particle systems, the distance between particles is shorter, the collision probability is higher, and the risk of agglomeration increases exponentially over time. Even if the initial dispersion is perfect, local agglomeration and sedimentation are inevitable after several months.

4. The complexity of practical application scenarios accelerates the inevitability of sedimentation

There are many variables in the storage, transportation, and use environments of white ink heat transfer inks, which further amplify the inevitability of sedimentation:

  • Temperature fluctuations: High temperatures in summer (above 30°C) accelerate solvent volatilization and dispersant aging; low temperatures in winter (below 0°C) may cause the suspending agents to freeze and demulsify, destroying the stability of the system;
  • Mechanical vibration: Bumps during transportation may cause titanium dioxide particles to agglomerate under shear force, making them more likely to settle after standing;
  • Open use: When printing, the ink is exposed to the air, and solvent volatilization increases the concentration of titanium dioxide, raising the risk of agglomeration.

These uncontrollable factors in practical scenarios make “absolute no sedimentation” completely unachievable in industrial applications. Even if there is no sedimentation in the short term under laboratory conditions, sedimentation will inevitably occur in actual circulation.

Conclusion: “No sedimentation” violates the laws of materials science and is an idealized misunderstanding

The “no sedimentation” of white ink heat transfer inks is essentially an idealized goal that violates the laws of thermodynamics and fluid mechanics. The density difference between titanium dioxide and solvents, the printing fluidity requirements of the ink, and the limitations of additives jointly determine that sedimentation is an “inevitable trend”. Existing technologies can only extend the sedimentation cycle to meet practical needs (such as no obvious sedimentation within 1–3 months, which can be restored by shaking before use).

Therefore, white ink heat transfer inks claiming to be “no sedimentation” either ignore the actual scenario of long-term storage or sacrifice printing performance (such as ultra-high viscosity that makes them unusable), and problems will inevitably emerge in applications.

SUPERINKS will attend the exhibition ISA 2025

ISA 2025, April 23-25, 2025 Las Vegas, NV, Booth NO.: 545

SUPERINKS will show our sublimation ink, DTF pigment ink, reactive ink, dye ink, UV ink, eco solvent ink, solvent ink, etc. for textile, corrugated box, office, advertisement, gift and home decoration, packing, label printing, etc.
Address: Las Vegas, NV

This is not only an exhibition, but also an opportunity for in-depth dialogue. We sincerely invite colleagues, partners and media friends from all walks of life to visit and give guidance, discuss new trends in industry development, share successful cases and build a bridge of cooperation. SUPERINKS looks forward to working with you to expand the market, share opportunities and create brilliance together.

Welcome to visit SUPERINKS booth at 545

Please pay close attention to our official channels for the latest updates, don’t miss out! We look forward to meeting you at the exhibition and writing a wonderful chapter for SUPERINKS together.

Let’s meet at the ISA exhibition in the United States and explore the infinite possibilities of the world of color together.

SUPERINKS will attend the exhibition APPPEXPO 2025

Apppexpo 2025, Mar. 4-7, NECC Shanghai China, SUPERINKS booth H5.2 B2000.

SUPERINKS will show our sublimation ink, DTF pigment ink, reactive ink, dye ink, UV ink, eco solvent ink, solvent ink, etc. for textile, corrugated box, office, advertisement, gift and home decoration, packing, label printing, etc.

You can check this exhibition URL for more information: https://www.apppexpo.com/?lang=EN.
Address: National Exhibition and Convention Center (Shanghai) No.333 Songze Avenue, Qingpu District, Shanghai, China.

National-Convention-and-Exhibition-Center-(Shanghai)

Welcome to visit SUPERINKS booth at Hall 5.2, B2000.

APPPEXPO-2025-Shanghai

2024 ITMA ASIA: SUPERINKS Exhibited

From October 14 to October 18, 2024, SUPERINKS participated in the 2024 ITMA ASIA, held in Shanghai. This annual exhibition provided a vital platform for engaging with both existing and potential clients, fostering meaningful dialogue and connections within the industry.

2024 ITMA ASIA - SUPERINKS's booth

2024 ITMA ASIA, renowned as a premier event in the textile and garment technology sector, attracted a diverse array of exhibitors and visitors from around the globe. For SUPERINKS, by participating in discussions and exchanging ideas, we were able to strengthen relationships with current customers while also identifying potential collaborations with new partners.

We also received many visits from new customers at this ITMA exhibition.

As we look towards the future, we remain dedicated to upholding the standards of quality and service that define SUPERINKS, ensuring continued success in our endeavors, and we look forward to seeing you again at the APPPEXPO 2025 next year.

How to solve the uneven color of printed pictures with DTF pigment ink?

In DTF printing, for the problem of fast printing 4 heads, uneven color of printed pictures, like a “cloud”—especially magenta and cyan color.

1). Key problem is the mainboard control system makes ink droplets not jet in the right place.

Hosonsoft is currently the best motherboard for the Epson i3200 DTF printer, but it cannot avoid this problem, uneven color of printed pictures. So we need whole market technology to improve, we have to wait.

2). Now we have some methods to improve:

A). Use better DTF pigment ink, more fluent, higher density.
B). Use better film, thicker, better absorb. And the coating layer is more uniform, each ink drop absorbed well.
C). Lower the speed.
D). Use more “feather” settings, 40%, 80%, and 90%.

What is DTF ink printing?

(One). What is the DTF ink?

Check out the video of using DTF ink to give you a preliminary understanding of it.

YouTube player
DTF ink working process video.

DTF ink working process:

1. Prepare a printing film. Make sure the printing side up.

There is a layer of coating on the surface of the film. The function of the coating is to absorb ink and hold the ink, making the picture sharp. Meanwhile, the coating is a kind of flexible layer, when you stretch it, it will not break.

Step 1 - Preparing the Printing Film
Step 1 – Preparing the Printing Film

2. Printing colourful pictures, and then printing white colour to cover the picture.

Because of the working step 1‘s film, in the working step 2, you can get a sharp picture. meanwhile, the white colour ink will be covered the surface of the colourful picture. White colour is very important in this technology. It will be the background of the picture on the black/dark T-shirts, to make the colours shinny. White ink also is flexible to bear stretch. And the “wet/not dry” white ink has the function of loading “hot melt powder” in the next step.

Step 2 - Film Printing DTF Ink
Step 2 – Film Printing DTF Ink

3. Spray hot melt adhesive powder on the wet white ink surface.

Hot melt powder is the biggest new part of this technology. Previously, we use hot melt powder in the silk screen’s white. The function of hot melt powder is “glue”, sticking the layer of the picture to the textile. When you heat this kind of powder, it will turn to liquid, and turn sticky. But in a normal environment temperature, it is a solid powder.

Step 3 - Sprinkle with Hot Melt Powder
Step 3 – Sprinkle with Hot Melt Powder

4. Bake the hot melt adhesive to a melted state, at about 80-150 °C, 3-25 Min.

So, after step 4, you get a beautiful picture, with a layer of white background, and then a layer of “glue” background. And more importantly, the “glue” is not sticky at a normal environment temperature. You can roll it up to send to customers, to store there.

Step 4 - Melt and Dry the Hot Melt Powder
Step 4 – Melt and Dry the Hot Melt Powder

5. Heat press at about 150-170 °C, 8-15 seconds.

In step 5, you can cut down the film, without caring about the shape of the picture edge, put it on the surface of cotton textile, press and heat. And then you can peel down the layer of film (without coating), and leave the picture on the textile.

Step 5 - Heat Press the Patterned Film
Step 5 – Heat Press the Patterned Film

6. Peel down the substrate.

Step 6 - Peel off the film after cooling
Step 6 – Peel off the film after cooling

7. You will get a finished product.

Step 7 - Get the Finished Product
Step 7 – Get the Finished Product

(Two). Compare with DTG, DTF technology has two big improvements:

  • The picture on the surface of the textile is very shiny and bright. Even on black textile.
  • It is designed for cotton textile, but not only works on. Theoretically, it can work on all kinds of textiles, such as cotton T-shirts, jeans, sweaters… You can try more and more different material textiles.

DTF ink is for cotton T-shirts, with flexible pictures, can do big-scale industrial use.

Our DTF process has reached the maturity stage after many tests
Our DTF process has reached the maturity stage after many tests

(Three). If you have more questions, you can message us.

Corporate philosophy
Corporate philosophy
Machines and Materials needed for DTF Ink Printing
FAQ

How to evaluate a DTF ink?

(One). What is a DTF ink? Is it a normal pigment ink?

Product introduction of DTF printing ink
Product introduction of DTF ink

DTF (direct to film) printing ink is a kind of special pigment ink. If you use normal pigment ink on DTF printing, it will not work well. This kind of DTF ink has very good adhesion with cotton textile, and it has special components to make good flexibility.
DTF ink has very wide compatibility with different textile types. It has a very big market in the clothes market.

YouTube player
The use process of DTF ink

(Two). What is needed for a DTF printing? What do you need for DTF printing?

  1. A water-based printer with good function in printing on film.
  2. A shake powder and baker equipment,
  3. DTF ink,
  4. PET film,
  5. Hot melt powder.
Tools and materials needed for DTF printing
Tools and materials needed for DTF printing

(Three). How to evaluate a DTF ink?

  1. The fluency of white ink. We can print 10 square meters, in 100% ink droplets, to get less than 5 pin breaks.
  2. The fluency of CMYK and other colours. We can print 10 square meters, in 100% ink droplets, to get less than 5 pin breaks.
  3. When the printer is holding from working, how long can it do, to keep the ink printing out the all nozzle hole without cleaning? Need more than 0.5 hours.
  4. How is white ink coverage in 60%, 70%, 80%, 90%, 100%. White ink is good with strong covering power, and not good with weak covering power.
  5. Will white ink appears a little blue or yellow? It should be pure white.
  6. How flexible is white ink on stretch? The more flexible the ink, the better.7.
  7. Is the white grainy? It’s not good to have a grainy feel, but it’s good to be flat.
  8. White wrinkled, peeling is not good, fine and smooth is very good.
  9. The compatibility of white ink and film: It is good when white ink can adapt to more kinds of films; it is not good if it can only adapt to a few kinds of PET films.
Surface effect of hot melt powder after hot melting
Surface effect of hot melt powder after hot melting
  1. The compatibility of CMYK colours ink and film.
  2. If white ink flow ink or water on the film, which is not good white ink, or not good compatible on white and other colours.
  3. Printing environment temperature and humidity range. The larger, the better. Normal operating temperature: 20-30℃, Operating humidity:40-60%.
  4. What is the colour of the pictures? Is it bright? Are the colours a wide gamut? Are the colours true colours?
  5. Can the colour block of each colour be pure and clean and true? If there is any ripple. Mean ink is not compatible with the film. Or printer waveform does not match the ink.
  6. If the printed picture gets oiled surface after several days? It means ink with more oil, or the inside of the ink layer is not totally dried. Can adjust the baker equipment to avoid this.
  7. What is the colourfastness to dry rub, wet rub and high-temperature washing? Normally, 4-5 grade is good for clothes standard.
Print the test effect picture
DTF ink print the test effect picture
YouTube player
DTF ink Printing effect display

(Four). If you want to know how to evaluate PET film, hot melt powder, shake and baker machine, and printers for DTF printing, you can message us.

Corporate philosophy
Corporate philosophy

DTF ink

DTF textile pigment ink released in Mar 2020

DTF textile pigment ink works on textile, especially on a cotton T-shirt, which is upgraded from silkscreen and DTG ink. Bright, high wash resistance, soft.

  1. DTF pigment ink can perfectly print on cotton T-shirts, especially black ones.
  2. And in theory, DTF printer ink can be used on almost all fabrics, cotton, polyester, canvas, denim ETC.
  3. By dtf textile pigment ink printing, the hand feels of the printed T-shirt is soft, with good stretchability and resilience.

DTF textile pigment ink printing compares Silkscreen

There is a shortage of silkscreen printing: need to make the plate, labor cost high, speed slow, not precision, cost per color, not colorful, pollute.

The traditional screen printing process
The traditional screen printing process

DTF textile pigment ink printing compares DTG (Direct to garment)

DTG (Direct to garment) ink is digital printing, no need to make the plate, less labor, less time cost, very precision, and more colors do not increase the cost. But the shortage is: not bright enough, wash resistance is weak.

What’s the difference between DTF ink and DTG ink?

DTG pigment ink printing for T-shirts is an old technology but had not had a big market share for years. DTF technology almost solved all problems that DTG has. It solved not bright enough color, not good wash resistance.

Though the hand feel of DTF is a little bit more, it will go better if choose the best ink and hot melt powder, and it can be improved step by step.

T-shirt printing is a huge market, especially pure cotton, especially black pure cotton T-shirts (Before, no technology solved well how to print a soft and bright pure cotton black T-shirt).

DTG printing
DTG printing

DTF textile pigment ink(Direct to film)

DTF (Direct to film) ink is improved from DTG ink, it has all advantages of DTG ink, and improved its shortage. DTF ink is very bright and has high wash resistance and high scratch resistance. Only you need to choose a good quality hot melt powder and make film and powder and ink perfect matches.

SUPERINKS works out a whole solution for DTF ink and offers to match hot melt powder and PET film.

https://www.facebook.com/100003778275523/videos/2065692960233293/

Application scenarios of DTF ink
DTF ink has a wide range of adaptability and is the best choice for printing clothes.

DTF pigment ink working process:

  1. Prepare a printing film. Make sure the printing side up.
  2. Printing colorful pictures, and then printing white color to cover the picture.
  3. Spray hot melt adhesive powder.
  4. Bake the hot melt adhesive to a melted state, at 80-150 C, 3-25 Min.
  5. Heat press at 150-170C, 8-15 seconds.
  6. Peel down the substrate.
  7. You will get a finished product.

See related products here:

  1. DTF ink for Epson i3200, etc.
  2. DTF ink for Epson L1800, etc.

Wholesale DTF printer ink for Epson head A3

Our DTF printer ink is suitable for which print heads?

The following print heads can use SUPERINKS DTF printer ink.

  1. For modified Japanese Epson desktop printers as L1800, 1390, L805, XP600, P400, P600, P800, etc.
  2. For Chinese printers with Epson i3200-a1, 4720, 5113, dx5, xp600 heads.

This DTF ink is suitable for which printers?

Grando, Oric, keundo, Taimes, Xkeda, Skycolor, Fedar, Allwin, GZ, Wit-color, Titanjet, Bonssrom, etc.

What is DTF ink? What ink is used for direct film?

DTF printer ink (direct to film) is a kind of special pigment ink designed for cotton fabrics and can expand to many different substrates.

It has been a new technology since March 2020 and spread promptly. It perfectly replaced a big part of DTG T-shirt printing.

DTF’s working principle is: print on a film with coating on its surface, the coating carried ink well. Firstly print the colorful picture with CMYK and other colors, and then print a layer of white ink. Then it is shipped to a machine, which can spread “hot melt powder” on the wet surface of the printed picture, and then bake it to dry. Then you can roll it up to send to another workshop, or you can cut one piece of the picture, and then heat and press the picture, it will transfer from film to a fabric.

The following video shows what is DTF printer ink:

https://youtu.be/GTshW3I-Kjs

Is DTF ink the same as DTG ink?

No, DTF ink is not same as DTG ink.
Though both inks are pigment inks, they are different types of pigment ink. DTF’s processes are different from DTG, and the working principles are different too. The final effect is different either: DTF printing T-shirt is more bright, better color resistance. DTG printing T-shirt has a softer hand feeling.

What colors are used for this DTF printer ink?

  1. cyan, magenta, yellow, black, light cyan, light magenta,
  2. special blue, special orange, special red, special green,
  3. fluorescent magenta, fluorescent yellow, fluorescent orange, fluorescent green,
  4. white,
  5. clean liquid.
DTF ink is available in a variety of colors
DTF inks have a variety of colors for customers to choose from.

What is the main feature of SUPERINKS DTF ink?

  1. White ink has strong hiding power and high whiteness.
  2. Super-high concentration, brilliant, and saturated colors.
  3. White ink and color ink have good compatibility and do not permeate each other.
  4. White and color ink has a high color density and does not appear to uncover white dots.
  5. It is clear when printing small words, the powder shakes cleanly, and the fastness is good.
  6. High resistance to dry/wet rubbing, high fastness to light.
  7. Nanometer fineness, super smooth, and stable output.

SUPERINKS DTF ink working process:

  1. Prepare a printing film. Make sure the printing side up.
  2. Printing colorful pictures, and then printing white color to cover the picture.
  3. Spray hot melt adhesive powder.
  4. Bake the hot melt adhesive to a melted state, at about 80-150 ℃, 3-25 Min.
  5. Heat press at about 150-170℃, 8-15 seconds.
  6. Peel down the substrate.
  7. You will get a finished product.

DTF transfer film printer ink
DTF printer ink

SUPERINKS DTF ink available package:

  1. Drum/Bottle pack in 1 KG,
  2. Drum/Bottle pack in 500g,
  3. Drum/Bottle pack in 200g,
  4. Drum/Bottle pack in 100g,
  5. customized package is available.

DTF ink for EPSON A3 print head
DTF ink for EPSON A3 print head

Composition classification of fabrics and suitable digital printing solutions:

  1. Plant fibre: cotton, linen, etc.
    Suitable for: DTF pigment ink printing, DTG pigment ink printing, reactive ink printing.
  2. Chemical fibre: Polyester etc.
    Suitable for: Sublimation ink printing, disperse ink printing
  3. Silk: Mulberry silk, tussah silk, rayon, synthetic filament, etc.
    Suitable for: reactive ink printing.
  4. Animal hair fibre: Mink fur, wool, rabbit fur, camel fur, etc.
    Suitable for: Reactive ink printing, Acid ink printing.

SUPERINKS factory introduce video:

https://youtu.be/48W_YXQZjxc

Wholesale DTF ink for Epson

Features of DTF ink or DTF pigment ink

  1. In theory, DTF ink can be used on almost all fabrics, cotton, polyester, canvas, denim ETC. Especially black cotton T-shirts.
  2. SUPERINKS DTF pigment ink is stable, fluent, and reduces maintenance costs.
  3. Higher concentration colors, more vivid and saturated; white ink has strong hiding power and high whiteness.
  4. White ink and color ink have good compatibility and do not permeate each other.
  5. High color transfer rate, no uncovered white dots.
  6. It’s clear to print small words, the powder shaked off cleanly; good resistance on dry, wet rubbing.
  7. The hand feels of printed picture is soft, with good stretchability and resilience.
  8. Fluorescent and spot color create more cool colorful clothes.
dtf ink
For Epson printer is smooth to use and does not block the print head

This SUPERINKS DTF pigment ink is suitable for print heads as: 

  1. For Chinese printers with Epson  i3200-a1, 4720, 5113, dx5, xp600 heads.
  2. For modified Japanese Epson desktop printers as L1800, 1390, L805, XP600, P400, P600, P800, etc.
Application scenarios of DTF ink
DTF ink for printing on a variety of fabrics, soft and comfortable texture, good hand feeling.

This SUPERINKS DTF pigment ink with colors:

  1. Cyan, magenta, yellow, black, light cyan, light magenta, 
  2. Special blue, special orange, special red, special green, 
  3. Fluorescent magenta, fluorescent yellow, fluorescent orange, fluorescent green,
  4. White,
  5. Clean liquid.
DTF ink is available in a variety of colors
DTF inks have a variety of colors for customers to choose from.

SUPERINKS DTF ink’s main features:

  1. White ink has strong hiding power and high whiteness.
  2. Super-high concentration, brilliant, and saturated colors.
  3. White ink and color ink have good compatibility and do not permeate each other.
  4. White and color ink has a high color density and does not appear to uncover white dots.
  5. It is clear when printing small words, the powder shakes cleanly, and the fastness is good.
  6. High resistance to dry/wet rubbing, high fastness to light.
  7. Nanometer fineness, super smooth, and stable output.

Applicable materials: 

  1. Cotton, linen, polyester cloth, nylon cloth, etc.
  2. We already found that we can not use this DTF ink to do the waterproof cloth printing.
  3. There is more possible textile material waiting for us to be discovered.
DTF ink product introduction
DTF ink product introduction

SUPERINKS DTF heat transfer pigment ink working process:

  1. Prepare a printing film. Make sure the printing side up.
  2. Printing colorful pictures, and then printing white color to cover the picture.
  3. Spray hot melt adhesive powder on the wet white ink surface.
  4. Bake the hot melt adhesive to a melted state, at about 80-150 C, 3-25 Min.
  5. Heat press at about 150-170℃, 8-15 seconds.
  6. Peel down the substrate.
  7. You will get a finished product.
DTF ink process flow
DTF ink process: 6 steps to quickly produce finished clothes

Physical and chemical indicators of DTF pigment ink:

  1. viscosity: 4-6 mPa.s
  2. surface tension: 26-38 mN/m
  3. flashpoint: Above 100℃

What’s the difference between DTF ink and DTG ink?

DTG ink printing for T-shirts is an old technology but had not had a big market share for years. DTF technology almost solved all problems that DTG has. It solved not bright enough color, not good wash resistance. Though the hand feel of DTF is a little bit more, it can be improved step by step. T-shirt printing is a huge market, especially pure cotton, especially black pure cotton T-shirts (Before, no technology solved well how to print a soft and bright pure cotton black T-shirt).

We have DTG ink too, you can inquiry us if you are interested.

Available package:

  1. Drum/Bottle pack in 25 KG,
  2. Drum/Bottle pack in 20 KG,
  3. Drum/Bottle pack in 5 KG,
  4. Drum/Bottle pack in 1 KG,
  5. A customized package is available.

Application scenarios of DTF ink
DTF ink has a wide range of adaptability and is the best choice for printing clothes.

Instructions for use of digital printing inks:

  1. Operating temperature: 20-30℃, Operating humidity:40-60%.
  2. Shake the ink well before putting it on the machine; It will be best if you can use it up within 1 week after opening.
  3. Before using our products for the first time, please empty the ink cartridges, ink circuits, and dampers. If possible, please clean the ink circuit system and replace it with a new damper.
  4. It’s very important to make an ICC profile to get brilliant colors if need makes an ICC profile, contact us, and we will help.

Transport and storage conditions:

  1. Avoid direct light, and storage temperature at 15-30℃; after opening the seal of the package, please avoid dust and other sundries going into ink composition.
  2. The goods are identified as Non-dangerous goods in accordance with IMO, RID/ADR, IMDG, ICAO, and IATA.
  3. MSDS available.

Composition classification of fabrics and suitable digital printing solutions:

  • Plant fiber: cotton, linen, etc.
    Suitable for: DTF ink printing, DTG ink printing, and reactive ink printing.
  • Chemical fiber: Polyester etc.
    Suitable for: Sublimation ink printing, disperse ink printing
  • Silk: Mulberry silk, tussah silk, rayon, synthetic filament, etc.
    Suitable for: Reactive ink printing.
  • Animal hair fiber: Mink fur, wool, rabbit fur, camel fur, etc.
    Suitable for: Reactive ink printing, Acid ink printing.

A video introduction of SUPERINKS factory:

https://youtu.be/48W_YXQZjxc